Aneesh Sathe

Over the past year, the Contraptions club has been reading through history—from Giordano Bruno and Montaigne to Spinoza, Adam Smith, and Hume. We are now using using Venkatesh Rao’s Divergence Machine framework as a lens to make sense of the modern world. For context, Venkat posits that human history operates through massive “world machines”. The “modernity machine” was constructed around 1200 and operated at a steady plateau of capability from 1600 to 2000. It is now in a state of rapid, partially scheduled disassembly. In its place, the “divergence machine” was constructed around 1600 and …

I. Everything is a Balinese Cockfight # It was after a police chase and a conspiratorial lie that Clifford Geertz and his wife Hildred were accepted into the social fabric of 1958 Bali. Until then they had been ignored, a treatment reserved for intruders. The police chase was the aftermath of attending a cockfight recorded in Geertz’ essay, Deep Play: Notes on the Balinese Cockfight. The cockfight, a ritual with the stakes so irrationally high that they ceased to be about money (or the birds) at all. Status, dignity, and the honor of their kinship groups was all on the table. It was deep …

I. The Wall and the Infinite # It is possible that the history of the modern West hinges on a single, melancholic misreading of Voltaire. When Candide, exhausted by the Lisbon earthquake and the brutalities of the Seven Years’ War, finally withdraws to the banks of the Propontis to utter his famous dictum—“Il faut cultiver notre jardin”—he is not proposing a program of agricultural management. He is issuing a plea for containment. To cultivate a garden, in the shadow of such overwhelming chaos, is an act of stoic resignation. It is an admission that the world is too vast, too violent, and too …

This is the third and final part of the Thicket Series: Part 1: Logic of the Thicket and the Unsearchable Web Part 2: The Architecture of Resistance The history of the working subject might be best understood not as a ledger of wages or a sequence of industrial breakthroughs, but as a study in the migration of the Master. In the eighteenth century, the Master was a concrete presence, a figure residing in the castle or the cathedral, distinct from the worker by a physical and social chasm. One knew where the authority lived because one could see the smoke from its chimneys. By the nineteenth …

The seventeenth-century Hague, the mid-twentieth-century Levant, and the digital terraforming of 2025 have a shared preoccupation with the “Average.” Whether it is the theologian’s way or predictive stats, control begins by smoothing out the landscape. The project of power is a project of cartography and illumination—an attempt to banish the dark corners where the unmapped might grow. Thus, the history of resistance, of being “against the world”, is less a history of rebellion than a history of seeking cover.