<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Books on Aneesh Sathe</title><link>https://aneeshsathe.com/tags/books/</link><description>Recent content in Books on Aneesh Sathe</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Mon, 08 Dec 2025 05:08:29 +0000</lastBuildDate><atom:link href="https://aneeshsathe.com/tags/books/index.xml" rel="self" type="application/rss+xml"/><item><title>The Tortured Artist Is So Yesterday</title><link>https://aneeshsathe.com/the-tortured-artist-is-so-yesterday/</link><pubDate>Mon, 08 Dec 2025 05:08:29 +0000</pubDate><guid>https://aneeshsathe.com/the-tortured-artist-is-so-yesterday/</guid><description>&lt;p&gt;41 years ago, Samuel Lipman &lt;a href="https://newcriterion.com/article/but-if-the-artist-fail/"&gt;wrote&lt;/a&gt; that an artist’s life is a “constant—and constantly losing—battle” against one’s own limits. That image has lasted because print culture taught us to imagine the artist as a solitary figure whose worth is measured by the perfection of a single, final work. Print fixed texts in place, elevated the individual author, and made loneliness part of the creative job description.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;That world is slipping away.&lt;br&gt;
And with it, the tortured artist.&lt;/em&gt;&lt;/p&gt;</description></item><item><title>Four Early-Modern Tempers for a World That Can Summon Itself</title><link>https://aneeshsathe.com/four-early-modern-tempers-for-a-world-that-can-summon-itself/</link><pubDate>Sat, 06 Dec 2025 10:12:37 +0000</pubDate><guid>https://aneeshsathe.com/four-early-modern-tempers-for-a-world-that-can-summon-itself/</guid><description>&lt;blockquote&gt;
&lt;p&gt;This is a partial synthesis of the books read through 2025 in the &lt;a href="https://contraptions.venkateshrao.com/p/contraptions-book-club"&gt;Contraptions Book Club&lt;/a&gt;.&lt;/p&gt;
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&lt;p&gt;We live in a moment when the whole of human culture has become strangely available, no longer just an archive but something that behaves like a responding presence. A sentence typed into a search bar or messaging window returns citations and, more strikingly, continuations: pastiche, commentary, new variations of ideas that never existed until the instant we requested them. The canon now behaves more like a voice than a library. It is easy to treat this as convenience, yet summoning culture alters our relation to meaning in ways we are only beginning to see. The question is no longer whether we can find the relevant text, but what it means to think in a world that can generate its own echoes.&lt;/p&gt;</description></item><item><title>Looking Forward to Montaigne</title><link>https://aneeshsathe.com/looking-forward-to-montaigne/</link><pubDate>Thu, 31 Jul 2025 05:06:37 +0000</pubDate><guid>https://aneeshsathe.com/looking-forward-to-montaigne/</guid><description>&lt;p&gt;As part of the Contraptions book club we will be reading the Essays of Montaigne. I actually started to read the Donald Frame translations, but felt I needed more context. In the book club, Paul Millerd had recommended &lt;a href="https://sarahbakewell.com/books-3/how-to-live-a-life-of-montaigne/"&gt;Sarah Blackwell’s book&lt;/a&gt; on the life of Montaigne. I just finished it and I was left feeling rather warm.&lt;/p&gt;


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&lt;p&gt;In contrast I was left rather cold and unsure by a recent &lt;a href="https://www.youtube.com/watch?v=PGX0YKWm074"&gt;podcast&lt;/a&gt; on a recent book by Byung-Chul Han. The book is titled The Crisis of Narration and covers the idea that we have lost the ability to tell good stories. Stories, Han says, create a shared reality instead stories have been turned into a commodity to create consumers. Storytelling has become storyselling. As far as I know, Han doesn’t offer any solutions. Social media has turned a dark corner but it would have been nice to know what we can do, if anything. Montaigne seems to offer some relief.&lt;/p&gt;</description></item><item><title>On Protocols, Wagons, and Associated Acrobatics</title><link>https://aneeshsathe.com/on-protocols-wagons-and-associated-acrobatics/</link><pubDate>Sun, 27 Jul 2025 07:03:32 +0000</pubDate><guid>https://aneeshsathe.com/on-protocols-wagons-and-associated-acrobatics/</guid><description>&lt;p&gt;Years ago, maybe a decade even, I fell in love with this software called Scrivener. I could never justify buying it because I didn’t actually write. But having that software would represent a little bit of the identity I would like to have, a writer. The Fourth of July long weekend gave me a running start. The plan was to write every day for a month. If I did, I would buy Scrivener. This was going quite well, then I couldn’t write for two days.&lt;/p&gt;</description></item></channel></rss>