Writing on Aneesh Sathe

How the Fox with the Long Tail Learned to Play in the Dark Forest

Sat, 07 Feb 2026 05:18:56 +0000

I. Everything is a Balinese Cockfight #

It was after a police chase and a conspiratorial lie that Clifford Geertz and his wife Hildred were accepted into the social fabric of 1958 Bali. Until then they had been ignored, a treatment reserved for intruders. The police chase was the aftermath of attending a cockfight recorded in Geertz’ essay, Deep Play: Notes on the Balinese Cockfight. The cockfight, a ritual with the stakes so irrationally high that they ceased to be about money (or the birds) at all. Status, dignity, and the honor of their kinship groups was all on the table. It was deep play—a game where the potential for loss so catastrophic, and the potential for glory so fleeting, that from a utilitarian perspective, it was madness to engage in it at all.

The Kernel and the Ark

Sun, 11 Jan 2026 08:28:42 +0000

I. The Wall and the Infinite #

It is possible that the history of the modern West hinges on a single, melancholic misreading of Voltaire. When Candide, exhausted by the Lisbon earthquake and the brutalities of the Seven Years’ War, finally withdraws to the banks of the Propontis to utter his famous dictum—“Il faut cultiver notre jardin”—he is not proposing a program of agricultural management. He is issuing a plea for containment. To cultivate a garden, in the shadow of such overwhelming chaos, is an act of stoic resignation. It is an admission that the world is too vast, too violent, and too unintelligible to be governed by reason. One builds a wall against the infinite, and within that limited circumference, one tends to the soil. The garden is a refuge from nature.

The Deep Dark Terroir of the Soul

Fri, 26 Dec 2025 02:17:37 +0000

This is the third and final part of the Thicket Series:
Part 1: Logic of the Thicket and the Unsearchable Web
Part 2: The Architecture of Resistance

The history of the working subject might be best understood not as a ledger of wages or a sequence of industrial breakthroughs, but as a study in the migration of the Master. In the eighteenth century, the Master was a concrete presence, a figure residing in the castle or the cathedral, distinct from the worker by a physical and social chasm. One knew where the authority lived because one could see the smoke from its chimneys. By the nineteenth century, this figure had moved into the factory office, closer to the rhythm of the machine but still identifiable by the suit and the watch. The twentieth century saw a further dissolution; the Master became atmospheric, blending into the very walls of the institutions that housed us—the schools, the hospitals, the barracks.

The Architecture of Resistance

Tue, 23 Dec 2025 05:38:32 +0000

The seventeenth-century Hague, the mid-twentieth-century Levant, and the digital terraforming of 2025 have a shared preoccupation with the “Average.” Whether it is the theologian’s way or predictive stats, control begins by smoothing out the landscape. The project of power is a project of cartography and illumination—an attempt to banish the dark corners where the unmapped might grow. Thus, the history of resistance, of being “against the world”, is less a history of rebellion than a history of seeking cover.

The Tortured Artist Is So Yesterday

Mon, 08 Dec 2025 05:08:29 +0000

41 years ago, Samuel Lipman wrote that an artist’s life is a “constant—and constantly losing—battle” against one’s own limits. That image has lasted because print culture taught us to imagine the artist as a solitary figure whose worth is measured by the perfection of a single, final work. Print fixed texts in place, elevated the individual author, and made loneliness part of the creative job description.

That world is slipping away.
And with it, the tortured artist.

The Small God of the Internet

Sat, 02 Aug 2025 05:26:46 +0000

It was a small announcement on an innocuous page about “spring cleaning”. The herald, some guy with the kind of name that promised he was all yours. Four sentences you only find because you were already looking for a shortcuts through life. A paragraph, tidy as a folded handkerchief, explained that a certain popular reader of feeds was retiring in four months’ time. Somewhere in the draughty back alleys of the web, a small god cleared his throat. Once he had roared every morning in a thousand offices. Now, when people clicked for their daily liturgy, the sound he made was… domesticated.

Looking Forward to Montaigne

Thu, 31 Jul 2025 05:06:37 +0000

As part of the Contraptions book club we will be reading the Essays of Montaigne. I actually started to read the Donald Frame translations, but felt I needed more context. In the book club, Paul Millerd had recommended Sarah Blackwell’s book on the life of Montaigne. I just finished it and I was left feeling rather warm.

In contrast I was left rather cold and unsure by a recent podcast on a recent book by Byung-Chul Han. The book is titled The Crisis of Narration and covers the idea that we have lost the ability to tell good stories. Stories, Han says, create a shared reality instead stories have been turned into a commodity to create consumers. Storytelling has become storyselling. As far as I know, Han doesn’t offer any solutions. Social media has turned a dark corner but it would have been nice to know what we can do, if anything. Montaigne seems to offer some relief.

Work or Play? Ludic Feedback Loops

Mon, 28 Jul 2025 05:57:58 +0000

In his substack post today, Venkatesh Rao wrote about reading and writing in the age of LLMs as playing and making toys respectively. In one part he writes about how the dopamine feedback loop from writing drove his switch from engineering to writing. For him, writing has ludic, play-like, qualities.

I have made almost all my “career” decisions as a function of play. I originally started off with a deep love of plants, how to grow them and their impact on the world. I was convinced I was going to have a lot of fun. I did have some. My wonderful undergrad professor literally hand held me through my first experiments growing tobacco plants from seeds. But that was about it. My next experiment was with woody plants and growing the seeds alone took 6 months, and by the end I had 4 measly leaves to experiment with. I quickly switched to cell biology.

On Protocols, Wagons, and Associated Acrobatics

Sun, 27 Jul 2025 07:03:32 +0000

Years ago, maybe a decade even, I fell in love with this software called Scrivener. I could never justify buying it because I didn’t actually write. But having that software would represent a little bit of the identity I would like to have, a writer. The Fourth of July long weekend gave me a running start. The plan was to write every day for a month. If I did, I would buy Scrivener. This was going quite well, then I couldn’t write for two days.

The secret flag of content

Sun, 20 Jul 2025 06:36:28 +0000

I don’t have any fun when I use LLMs to write. It may have perceived utility: popping out a LinkedIn article or two everyday. But I bet no one is actually reading. It’s a strip mall for a thumb stroll.

LLMs suck at writing. The summaries that LLMs give with the “Deep Research” are so poor in quality that I start to skim it. Yes, I skim the thing that is already a summary.

What do platforms really do?

Sat, 19 Jul 2025 05:51:44 +0000

In 1986, David S. Landes wrote the essay, ‘What Do Bosses Really Do?’. He argues that the historical role of the ‘boss’ was an essential function for organizing production and connecting producers to markets. Digital platforms have become the new bosses. Platforms have the same functions of market creation, labor specialization, and management, but they have replaced the physical factory floor with algorithmic management. While their methods are novel, platforms are the direct descendants of the merchant-entrepreneurs and factory owners Landes described, solving the same historical problems of production in remarkably similar ways.

A Good Dictionary

Thu, 17 Jul 2025 06:35:42 +0000

Yesterday I wrote about good documentation opening doors to options you didn’t realize you had. In the book On Writing Well Zinsser mentions how one of his key tools is the dictionary. That got me curious about the limitations about the dictionaries available to us. This is not just about the dictionary on the bookshelf but the ones that we have in-context access to. The ones on our computer and phones.

Nothing Ventured

Thu, 10 Jul 2025 04:51:52 +0000

The wave towered over me. Then the sound filled my ears. Not the calm breath of the waves; but it was surf music. I was maybe 3. Song names and artist names were beyond me. There was only the blue-green wave and the twang of the guitar.

I have chased music all my life. Just had to figure out the tools. The record player and the giant speakers taught my first lesson: pressing buttons was joy. In my pursuit I learned in about records, tapes, CDs, mp3, flac, streaming, Napster, torrents, Winamp, VLC, blanks, CD-R/RWs, compression, bit rates, conversion, transfer, backups, VPN, networking, impedance matching, DACs, amplifiers, calibration, ARC, fibre, buying, licensing, and streaming in approximate order.

The Arrival of Composable Knowledge

Wed, 12 Jun 2024 09:13:34 +0000

Traversing through human history, even in the last two decades, we see a rapid increase in the accessibility of knowledge. The purpose of language, and of course all communication is to transfer a concept from one system to another. For humans this ability to transfer concepts has been driven by advancements in technology, communication, and social structures and norms.

This evolution has made knowledge increasingly composable, where individual pieces of information can be combined and recombined to create new understanding and innovation. Ten years ago I would have said being able to read a research paper and having the knowledge to repeat that experiment in my lab was strong evidence of this composability (reproducibility issues not withstanding).